Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Corot Camille
The castle of Sant Angelo and the Tiber

ID: 38098

Corot Camille The castle of Sant Angelo and the Tiber
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Corot Camille The castle of Sant Angelo and the Tiber


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Corot Camille

French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers  Related Paintings of Corot Camille :. | The Italian vill behind pines | The road of Without-him-Noble | The dance of the nymphs | View of Saint-It | The antepuerto of Rouen |
Related Artists:
Johann Georg von Hamilton
1672--1737
Francesco Parmigianino
1503 ~ 1540,Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age. Throughout his career he was a compulsive draughtsman, not only of preparatory studies for paintings and prints, but also of scenes from everyday life and of erotica.
rudolph von alt
Rudolf Ritter von Alt (28 August 1812 in Vienna ?C 12 March 1905 in Vienna) was an Austrian landscape and architectural painter. Borne as Rudolf Alt, he could call himself von Alt and bear the title of a Ritter (knight) after he gained nobility in 1882. He was the son of the famous lithographer Jakob Alt (1789-1872). He studied at the Akademie der bildenden K??nste in Vienna. Hiking-trips through the Austrian Alps and northern Italy awoke a love for landscapes, and he painted with his brush using watercolors in a very realistic and detailed style. In 1833, inspired by a visit to Venice and neighbouring cities, he also made a number of architectural paintings. Alt demonstrated a remarkable talent for expressing certain peculiarities in nature. He managed to paint nature authentically by focusing on the different hues of sky, the colour-tone of the air and the vegetation. His later works came closer to Impressionism. His perspectives on architecture were interesting, and he often chose everyday objects to paint. The painting of interior-views also became one of his strong points, giving him attention in Vienna. He visited and worked for a while in Rome and Naples; after that he visited the lakes of Lombardy, then Galicia, Bohemia, Dalmatia, Bavaria and then returned multiple times to Italy. In 1863 he went to the Crimea to paint some views of an estate of the Empress, and in 1867 he went to Sicily. His younger brother Franz Alt, (b. 1821 in Vienna) was also a painter. Most of his paintings are held by various museums in Vienna. The Albertina in Vienna hosted a retrospective exhibition from September 2005 to January 2006.






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